About Stefon Harris

Vibraphonist/percussionist Stefon Harris originally planned to pursue his musical ambitions as a member of the New York Philharmonic, but his first exposure to the music of Charlie Parker convinced him to play jazz instead. Emerging during the mid-’90s on sessions led by Steve Turre, Charlie Hunter, and others, he made his solo debut in 1998 with the Blue Note release A Cloud of Red Dust. The Grammy-nominated Black Action Figure followed a year later. A collaboration with labelmate, pianist Jacky Terrasson, was a defining moment for Harris. Their week-long showcase at the Village Vanguard in summer 2001 was a success, encouraging both artists to work together in the studio. Kindred, a set of standards woven around a few original tracks, was issued in 2001.

The Grand Unification Theory pushed Harris’ boundaries yet again. The 12-piece ensemble jazz suite appeared in 2003, eventually earning Harris the prestigious Martin E. Segal Award from Jazz at Lincoln Center. Dates with the Kenny Barron Quintet coincided with the spring 2004 release of Evolution. African Tarantella appeared in 2006, followed three years later by Urbanus in 2009. ~ Jason Ankeny

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About Joe Locke

Joe Locke is widely considered to be one of the major voices of his instrument. He has performed and recorded with a diverse range of notable musicians, including Grover Washington Jr, Raul Midón, Kenny Barron, Eddie Henderson, Cecil Taylor, Dianne Reeves, Eddie Palmieri, Ron Carter, The Beastie Boys, the Münster Symphony Orchestra, the Spanish Harlem Orchestra, the Orchestra da Camera della Sardegna and the Lincoln, Nebraska Symphony.

Long known to be a soloist capable of stunning physical power and broad emotional range, it was not until the last decades that he emerged as the composer, bandleader and conceptualist that he is considered today. This is in no small part due to his solo projects since the beginning of the 2000s. Four Walls of Freedom, a six movement suite based on the writing of the monk Thomas Merton, which he composed as a vehicle for tenor saxophonist Bob Berg, garnered high praise from the critical community as a major work and won several international polls. Live in Seattle, by The Joe Locke / Geoffrey Keezer Group, won the 2006 EarShot award for “Concert of the Year”. This group is well loved and emulated by younger musicians looking for direction and inspiration. The overwhelming success of the quartet, Force of Four, can be attributed to the talents of his young cohorts and to the leader’s musical philosophy, which is to honour tradition while keeping both feet planted in the present and future. His 2011 album, the captivating, immersive album VIA, is the result of a reunion of Storms/Nocturnes, the transatlantic trio with Geoffrey Keezer and Tim Garland, about which Chick Corea said “This trio is unique, a chamber jazz form that truly sizzles with virtuosity and creativity. Tim, Geoff and Joe make
an amazing trio”.

In 2011 Joe joined the Motéma label for four intrinsically different albums bearing witness of his immense stylistic versatility and ability to create artistic depth in a variety of contexts:

After Signing, the long-awaited follow-up studio album of Live In Seattle, 2012 also saw the release of Joe Locke’s first ever symphonic project, Wish Upon A Star, featuring Locke‘s Quartet with the Lincoln Symphony Orchestra (NE), and the Jazz radio charts #1 Blues & Ballads album Lay Down My Heart in 2013. In 2015 Locke released Love Is A Pendulum – a suite based on a poem by Barbara Sfraga – is already being hailed the most important work of his career.

Locke’s latest album, Subtle Disguise (2018) represents “the total expression of who I am as a musician and human being.” (JL) and is very much a happy continuation of his search to unite his love of composition with the connective qualities of melody and groove. Jazziz Magazine celebrates it as “a crowning achievement from a certified vibraphone master.” Subtle Disguise features Jim Ridl, Lorin Cohen and Samvel Sarkisyan as part of the core quartet, plus guests Raul Midón, David Binney, Adam Rogers and Alina Engibaryan.

Locke is a six-time recipient of the Jazz Journalists Association’s “Mallet Instrumentalist of the Year” Award, has received two Earshot Golden Ear Awards for “Concert of the Year” and the 2013 Hot House NYC Jazz Awards for Best Vibes Player, and keeps topping critics and readers polls. In 2016 he was honoured with the induction into the Music Hall of Fame of his hometown Rochester, NY. He is an active clinician and educator in the United States and in Europe and has been the International Vibraphone Consultant at the Royal Academy Of Music, London, on a visiting basis since 2008, holding the title of Honorary Associate of the Royal Academy Of Music (Hon ARAM) since 2013.

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About Jason Marsalis

Jason Marsalis was born in New Orleans, LA and grew up to be a musician. He started playing vibraphone in high school and started to work professionally in 2000. Jason endorses Marimba One and has his own signature mallet line with the company.

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About Warren Wolf

Warren Wolf is a multi-instrumentalist from Baltimore, Maryland. From the age of three, Warren was trained on the vibraphone, drums, and piano.

After graduating from Berklee in May of 2001, Warren became an active musician on the Boston scene—also teaching at Berklee College of Music. Warren, today, living in Baltimore, is an International touring musician and music professor both at Peabody Conservatory in Baltimore and at San Francisco Conservatory.

Warren has made several recordings as a leader and as sideman for Mack Ave Records, Blue Note Records and boutique Independent Jazz Record Labels. Musicians that Warren has performed or recorded with are Wynton Marsalis and The Lincoln Center Jazz Orchestra & The SFJAZZ Collective.

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